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Scopus Author ID: 58021722600

Keywords

Byzantine Studies

Countries

Ukraine

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Employment (2)

Borys Grinchenko Kyiv Metropolitan University: Kyiv, UA

2024-09-02 to present | Assosiate Professor of Fine Arts Department, Deputy Dean for Scientific and Pedagogical and Social and Humanitarian Work (Faculty of Fine Arts and Design)
Employment
Source: Self-asserted source
Nataliia Dmytrenko

The Bohdan and Varvara Khanenko National Museum of Arts: Kyiv, UA

2015-11 to 2016-06 | Senior Researcher (Graphics Department)
Employment
Source: Self-asserted source
Nataliia Dmytrenko

Education and qualifications (4)

National Academy of Fine Art and Architecture: Kyiv, UA

2018-10-01 to 2023-12-01 | Doctor of Philosophy - Ph.D (Theory and History of Arts)
Education
Source: Self-asserted source
Nataliia Dmytrenko

National Academy of Fine Art and Architecture: Kyiv, UA

2012-10-01 to 2023-12-01 | Master of Arts (Theory and History of Arts)
Education
Source: Self-asserted source
Nataliia Dmytrenko

Frederick University: Nicosia, CY

2017-11 to 2018-03 | Master of Arts (Fine Art and Contemporary Art Practices)
Education
Source: Self-asserted source
Nataliia Dmytrenko

National Academy of Fine Art and Architecture: Kyiv, UA

2012-10-01 to 2016-09-01 | Bachelor of Arts (Theory and History of Arts)
Education
Source: Self-asserted source
Nataliia Dmytrenko

Professional activities (1)

International Council of Museums: Paris, Île-de-France, FR

2016 to present | Official member (85134)
Membership
Source: Self-asserted source
Nataliia Dmytrenko

Works (6)

Differences in the iconography of the plot the last supper in the illuminations of the Gospels and Psalters of the 10<sup>th</sup> – 14<sup>th</sup> centuries created in the Byzantine Empire

Anastasis
2021 | Journal article
DOI: 10.35218/ARMCA.2021.1.05
EID:

2-s2.0-85120329428

Part of ISSN: 23929472 2392862X
Contributors: Dmytrenko, N.
Source: Self-asserted source
Nataliia Dmytrenko via Scopus - Elsevier

Formation of the iconography of the plot “The Last Supper” in the Byzantine temple decoration of the 10–14th centuries

Humanities science current issues
2020 | Journal article
DOI: 10.24919/2308-4863.1/33.215701
Contributors: Nataliia DMYTRENKO
Source: check_circle
Crossref

Дмитренко Н. В. Таємна вечеря в мистецтві Візантії та Західної Європи в мініатюрах IX–XIV століть: питання іконографії // KELM: Knowledge, Education, Law, Management. Lublin: Fundacja Instytut Spraw Administracji Publicznej, 2020. No7 (35), Vol. 1. C. 43–52.

Fundacja Instytut Spraw Administracji Publicznej
2020 | Dictionary entry | Investigation
Contributors: Nataliia Dmytrenko
Source: Self-asserted source
Nataliia Dmytrenko

Формування іконографії сюжету “Таємна вечеря” у візантійській храмовій декорації 10 – 14 століть // Актуальні питання гуманітарних наук: міжвузівський збірник наукових праць молодих вчених Дрогобицького державного педагогічного університету імені Івана Франка / [редактори-упорядники М. Пантюк, А. Душний, І. Зимомря]. Дрогобич: Видавничий дім «Гельветика», 2020. Вип. 33. Том 1. С. 40–51.

Видавничий дім «Гельветика»
2020 | Dictionary entry | Investigation
Contributors: Nataliia Dmytrenko
Source: Self-asserted source
Nataliia Dmytrenko

Джерела іконографії сюжету «Таємна вечеря» в пам’ятках ранньохристиянської доби // Українська академія мистецтв. Науково-дослідні, науково-методичні праці. Збірник робіт. Київ, 2019. Випуск 28. С. 98–108.

2019 | Dictionary entry | Investigation
Contributors: Nataliia Dmytrenko
Source: Self-asserted source
Nataliia Dmytrenko

ICONOGRAPHY OF "THE LAST SUPPER" AND ITS ORIGINS IN THE MONUMENTS OF THE EARLY CHRISTIAN ERA

Research and methodological works of the National Academy of Visual Arts and Architecture
2019-12-15 | Journal article
DOI: 10.33838/naoma.28.2019.98-108
Contributors: Nataliia Dmytrenko
Source: check_circle
Crossref
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