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Music Composition, Interactive Music Composition, Human-Computer Interaction, Biosensors, Biodata, Game-Engines, Sound Design, Electroacoustic Music Composition, Real-Time Data
United Kingdom

Activities

Employment (4)

University College London: London, London, GB

2022-01-01 to present | Lecturer in Digital Media Production (UCL Knowledge Lab)
Employment
Source: Self-asserted source
Christopher Rhodes

University of Manchester: Manchester, GB

2019-01 to present | Graduate Teaching Assistant (Music)
Employment
Source: Self-asserted source
Christopher Rhodes

University of Manchester: Manchester, GB

2022-07-01 to 2023-07-01 | Research Fellow (EPSRC Doctoral Prize) (Computer Science)
Employment
Source: Self-asserted source
Christopher Rhodes

University of Manchester: Manchester, Greater Manchester, GB

2017-05 to 2017-07 | Research Assistant (Music)
Employment
Source: Self-asserted source
Christopher Rhodes

Education and qualifications (2)

University of Manchester: Manchester, Greater Manchester, GB

2018-09 to present | PhD in Electroacoustic Music Composition (School of Arts, Languages and Cultures)
Qualification
Source: Self-asserted source
Christopher Rhodes

University of Manchester: Manchester, Greater Manchester, GB

2015-09 to 2017-09 | Master of Music in Electroacoustic Music Composition (School of Arts, Languages and Cultures)
Qualification
Source: Self-asserted source
Christopher Rhodes

Professional activities (2)

University of Manchester: Manchester, GB

2022-07-01 | EPSRC Doctoral Prize Fellowship (Computer Science)
Distinction
Source: Self-asserted source
Christopher Rhodes

Intelligent Data Engineering and Automated Learning (IDEAL): Manchester, GB

2019-11-15 | Best Student Paper Award
Distinction
Source: Self-asserted source
Christopher Rhodes

Funding (1)

Sonifying the self: Biometric and real-time data handling for the creation of bespoke music compositions, immersive narratives and new mixed realities

2018-09-30 to 2021-09-29 | Grant
Engineering and Physical Sciences Research Council (Swindon, GB)
GRANT_NUMBER: 2063473
Source: Self-asserted source
Christopher Rhodes via DimensionsWizard

Works (12)

Towards Developing a Virtual Guitar Instructor through Biometrics Informed Human-Computer Interaction

2023-04-19 | Conference paper
Contributors: Chris Rhodes; Richard Allmendinger; Caroline Jay; Ricardo Climent
Source: check_circle
Crossref

Classifying Biometric Data for Musical Interaction Within Virtual Reality

2022 | Book chapter
Contributors: Chris Rhodes; Richard Allmendinger; Ricardo Climent
Source: check_circle
Crossref
grade
Preferred source (of 2)‎

Membrana Neopermeable

New Interfaces for Musical Expression 2022, 28/06/22
2022-06-22 | Artistic performance
SOURCE-WORK-ID:

f75c82f4-872a-41ca-9388-ca69a35a1e64

Contributors: Christopher Rhodes
Source: check_circle
University of Manchester - PURE

Deep Blue Air

2021-07-31 | Artistic performance
SOURCE-WORK-ID:

ac0d7740-986c-4a48-8ec3-2caa2cee80a7

Contributors: Christopher Rhodes
Source: check_circle
University of Manchester - PURE

SemiConductor

Future Music 3 , Manchester, United Kingdom, 16/06/21
2021-06-16 | Artistic performance
SOURCE-WORK-ID:

5df3cf05-3278-4b80-b117-89adc3db0a9a

Contributors: Christopher Rhodes
Source: check_circle
University of Manchester - PURE

New Interfaces and Approaches to Machine Learning When Classifying Gestures within Music

Entropy
2020-12-07 | Journal article
Contributors: Chris Rhodes; Richard Allmendinger; Ricardo Climent
Source: check_circle
Crossref
grade
Preferred source (of 3)‎

Duet for Violin and Biofeedback

16th Sound and Music Computing Conference - 2019, Malaga, Spain, 28/05/19
2019 | Conference abstract | Author
SOURCE-WORK-ID:

7a0183c2-7eca-44fc-9a43-0ec538806ee3

Contributors: Christopher Rhodes
Source: check_circle
University of Manchester - PURE

Duet for Violin and Biofeedback

16th Sound and Music Computing Conference
2019 | Conference abstract
Source: Self-asserted source
Christopher Rhodes

New Interfaces for Classifying Performance Gestures in Music

2019 | Book chapter
Contributors: Chris Rhodes; Richard Allmendinger; Ricardo Climent
Source: check_circle
Crossref
grade
Preferred source (of 2)‎

Viano: Electromyographic Data as a Gestural Tool for Music Composition within Game-Engines

Innovation in Music, London, United Kingdom, 5/12/19
2019-12-05 | Conference abstract | Author
SOURCE-WORK-ID:

7e46d945-a464-4b61-8e22-0273696d25fe

Contributors: Christopher Rhodes
Source: check_circle
University of Manchester - PURE

Viano

Audio Mostly, Nottingham, United Kingdom, 18/09/19
2019-09-18 | Artistic performance
SOURCE-WORK-ID:

a694c326-b2cd-4b9d-bf55-8131c1c9f952

Contributors: Christopher Rhodes
Source: check_circle
University of Manchester - PURE

Duet for Violin and Biofeedback

Sound and Music Computing Conference, Malaga, Spain, 28/05/19
2019-05-29 | Artistic performance
SOURCE-WORK-ID:

382c0676-6a94-4e7b-9e44-7c26b146ef19

Contributors: Christopher Rhodes
Source: check_circle
University of Manchester - PURE

Peer review (10 reviews for 5 publications/grants)

Review activity for Applied sciences. (1)
Review activity for International journal of human-computer studies. (2)
Review activity for Multimedia tools and applications. (4)
Review activity for Personal and ubiquitous computing. (1)
Review activity for Sensors. (2)