Personal information

Input Device design, Music technology, human-computer interaction
Canada

Biography

Marcelo Mortensen Wanderley holds a Ph.D. degree from the Université Pierre et Marie Curie (Paris VI), France, on acoustics, signal processing, and computer science applied to music. He is Full Professor of Music Technology at McGill University, Canada and his research interests include the design and evaluation of digital musical instruments and the analysis of performer movements. He co-edited the electronic book “Trends in Gestural Control of Music”, 2000, co-authored the textbook “New Digital Musical Instruments: Control and Interaction Beyond the Keyboard”, 2006, and chaired the 2003 International Conference on New Interfaces for Musical Expression (NIME03). He is a member of Computer Music Journal’s Editorial Advisory Board and a senior member of the ACM and of the IEEE.

Activities

Employment (1)

McGill University: Montreal, QC, CA

2015-06-01 to present | Full Professor (Music Research)
Employment
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Marcelo Wanderley

Education and qualifications (1)

Université Pierre et Marie Curie: Paris, Île-de-France, FR

1996-09-01 to 2001-06-07 | PhD (Acoustics, Signal Processing and Computer Science Applied to Music)
Education
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Marcelo Wanderley

Funding (1)

Design strategies for new digital musical instruments (DMI)

2011-09 to 2016-04 | Award
McGill University (Montreal, Québec, CA)
Source: Self-asserted source
Marcelo Wanderley

Works (50 of 68)

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MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback

2024 | Book chapter
Contributors: Ziyue Piao; Marcelo M. Wanderley; Felipe Verdugo
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Assessing the Impact of Force Feedback in Musical Knobs on Performance and User Experience

Actuators
2024-11-16 | Journal article
Contributors: Ziyue Piao; Christian Frisson; Bavo Van Kerrebroeck; Marcelo M. Wanderley
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Force-Feedback and Music: Five Decades of Research and Development at ACROE: An Interview with Claude Cadoz (ACROE, Grenoble, France)

Arts
2023-07-17 | Journal article
Contributors: Marcelo M. Wanderley; Christian Frisson
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Challenges and Opportunities of Force Feedback in Music

Arts
2023-07-10 | Journal article
Contributors: Christian Frisson; Marcelo M. Wanderley
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Feeling the Future—Haptic Audio: Editorial

Arts
2023-07-07 | Journal article
Contributors: Justin Paterson; Marcelo M. Wanderley
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Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance

2022-06-28 | Conference paper
Contributors: Felipe Verdugo; Amedeo Ceglia; Christian Frisson; Alexandre Burton; Mickael Begon; Sylvie Gibet; Marcelo M. Wanderley
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ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics

2022-06-28 | Conference paper
Contributors: Christian Frisson; Mathias Kirkegaard; Thomas Pietrzak; Marcelo M. Wanderley
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Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live

2022-06-28 | Conference paper
Contributors: Brady Boettcher; Joseph Malloch; Johnty Wang; Marcelo M. Wanderley
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Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice

2022-06-28 | Conference paper
Contributors: Brady Boettcher; John Sullivan; Marcelo M. Wanderley
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Proximal-to-Distal Sequences of Attack and Release Movements of Expert Pianists during Pressed-Staccato Keystrokes

Journal of Motor Behavior
2022-05-04 | Journal article
Contributors: Felipe Verdugo; Mickaël Begon; Sylvie Gibet; Marcelo M. Wanderley
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Surveying digital musical instrument use in active practice

Journal of New Music Research
2021-10-20 | Journal article
Contributors: John Sullivan; Catherine Guastavino; Marcelo M. Wanderley
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Can Ubimus Technologies affect our Musicality?

Per Musi
2021-06-21 | Journal article
Contributors: Leandro Costalonga; Marcelo Pimenta; Marcelo Wanderley
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Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review

Multimodal Technologies and Interaction
2021-04 | Journal article | Author
Contributors: Valérian Fraisse; Marcelo Wanderley; Catherine Guastavino
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Multidisciplinary Digital Publishing Institute
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Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures

Sensors
2020-10 | Journal article | Author
Contributors: Sérgio Freire; Geise Santos; Augusto Armondes; Eduardo Meneses; Marcelo Wanderley
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Multidisciplinary Digital Publishing Institute
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Haptic and audio interaction design

Journal on Multimodal User Interfaces
2020-09 | Journal article
Contributors: Thomas Pietrzak; Marcelo M. Wanderley
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Action-based effects on music perception

Front. Psychol.
2014 | Journal article
DOI:

10.3389/fpsyg.2013.01008

Contributors: Pieter-Jan Maes; Marc Leman; Caroline Palmer; Marcelo M. Wanderley
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Brahms, Bodies and Backpropagation

Proceedings of the 2014 International Workshop on Movement and Computing - MOCO '14
2014 | Conference paper
DOI:

10.1145/2617995.2618011

Contributors: Vanessa Yaremchuk; Marcelo M. Wanderley
Source: Self-asserted source
Marcelo Wanderley via Crossref Metadata Search

Handedness in Percussion Sight-Reading

Proceedings of the 2014 International Workshop on Movement and Computing - MOCO '14
2014 | Conference paper
DOI:

10.1145/2617995.2618015

Contributors: Benjamin Bacon; Marcelo M. Wanderley; Fabrice Marandola
Source: Self-asserted source
Marcelo Wanderley via Crossref Metadata Search

Velocity estimation algorithms for audio-haptic simulations involving stick-slip

IEEE Trans. Haptics
2014 | Journal article
DOI:

10.1109/toh.2014.2346505

Contributors: Stephen Sinclair; Marcelo Wanderley; Vincent Hayward
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À propos du Centre interdisciplinaire de recherche en musique, médias et technologie (cirmmt) : entretien avec Marcelo Wanderley

Circuit
2014 | Journal article
DOI:

10.7202/1026182ar

Contributors: Guillaume Boutard
Source: Self-asserted source
Marcelo Wanderley via Crossref Metadata Search

The role of working memory in the temporal control of discrete and continuous movements

Exp Brain Res
2014-10 | Journal article
DOI:

10.1007/s00221-014-4108-5

Contributors: Pieter-Jan Maes; Marcelo M. Wanderley; Caroline Palmer
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Editors' Notes

Computer Music Journal
2014-09 | Journal article
DOI:

10.1162/comj_e_00252

Contributors: Marcelo M. Wanderley; Joseph Malloch
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Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives

Computer Music Journal
2014-09 | Journal article
DOI:

10.1162/comj_a_00253

Contributors: Doug Van Nort; Marcelo M. Wanderley; Philippe Depalle
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A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression

Sensors
2014-07 | Journal article
DOI:

10.3390/s140813556

Contributors: Carolina Medeiros; Marcelo Wanderley
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Motion Analysis of Clarinet Performers

Journal of New Music Research
2014-07-03 | Journal article
DOI:

10.1080/09298215.2014.925939

Contributors: Euler C.F. Teixeira; Mauricio A. Loureiro; Marcelo M. Wanderley; Hani C. Yehia
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In-House Development of Paper Force Sensors for Musical Applications

Computer Music Journal
2014-06 | Journal article
DOI:

10.1162/comj_a_00237

Contributors: Rodolphe Koehly; Marcelo M. Wanderley; Theodorus van de Ven; Denis Curtil
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Automatic detection of musicians’ ancillary gestures based on video analysis

Expert Systems with Applications
2014-03 | Journal article
DOI:

10.1016/j.eswa.2013.09.009

Contributors: Rodrigo A. Seger; Marcelo M. Wanderley; Alessandro L. Koerich
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Distributed tools for interactive design of heterogeneous signal networks

Multimed Tools Appl
2014-02 | Journal article
DOI:

10.1007/s11042-014-1878-5

Contributors: Joseph Malloch; Stephen Sinclair; Marcelo M. Wanderley
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Marcelo Wanderley via Crossref Metadata Search

Sonification of Emotion: Strategies and results from the intersection with music

Org. Sound
2014-02 | Journal article
DOI:

10.1017/s1355771813000411

Contributors: R. Michael Winters; Marcelo M. Wanderley
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Libmapper

CHI '13 Extended Abstracts on Human Factors in Computing Systems on - CHI EA '13
2013 | Conference paper
DOI:

10.1145/2468356.2479617

Contributors: Joseph Malloch; Stephen Sinclair; Marcelo M. Wanderley
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Measuring the haptic behavior of an acoustic guitar as perceived by the player by means of a vibrating actuator

J. Acoust. Soc. Am.
2013 | Journal article
DOI:

10.1121/1.4805156

Contributors: Marcello Giordano; Marcelo M. Wanderley
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Measuring the haptic behavior of an acoustic guitar as perceived by the player by means of a vibrating actuator

2013 | Conference paper
DOI:

10.1121/1.4799098

Contributors: Marcello Giordano; Marcelo M. Wanderley
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Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media

Haptic and Audio Interaction Design
2013 | Other
DOI:

10.1007/978-3-642-41068-0_10

Contributors: Marcello Giordano; Marcelo M. Wanderley
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MRI-compatible optically-sensed cello

2013 IEEE SENSORS
2013-11 | Conference paper
DOI:

10.1109/icsens.2013.6688614

Contributors: Avrum D. Hollinger; Marcelo M. Wanderley
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Gestural Strategies in the Harp Performance

Acta Acustica united with Acustica
2013-11-01 | Journal article
DOI:

10.3813/aaa.918677

Contributors: Delphine Chadefaux; Jean-Loïc Le Carrou; Marcelo M. Wanderley; Benoît Fabre; Laurent Daudet
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Trumpet Augmentation and Technological Symbiosis

Computer Music Journal
2013-09 | Journal article
DOI:

10.1162/comj_a_00185

Contributors: Joseph Thibodeau; Marcelo M. Wanderley
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Learning and extraction of violin instrumental controls from audio signal

Proceedings of the second international ACM workshop on Music information retrieval with user-centered and multimodal strategies - MIRUM '12
2012 | Conference paper
DOI:

10.1145/2390848.2390855

Contributors: Alfonso Perez Carrillo; Marcelo M. Wanderley
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Segmenting and Parsing Instrumentalists' Gestures

Journal of New Music Research
2012-03 | Journal article
DOI:

10.1080/09298215.2011.643314

Contributors: Baptiste Caramiaux; Marcelo M. Wanderley; Frédéric Bevilacqua
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Input Devices and Music Interaction

Musical Robots and Interactive Multimodal Systems
2011 | Other
DOI:

10.1007/978-3-642-22291-7_5

Contributors: Joseph Malloch; Stephen Sinclair; Avrum Hollinger; Marcelo M. Wanderley
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Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises

Computer Music Journal
2011-09 | Journal article
DOI:

10.1162/comj_a_00069

Contributors: Alexandre Bouënard; Marcelo M. Wanderley; Sylvie Gibet; Fabrice Marandola
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Noise-free haptic interaction with a bowed-string acoustic model

2011 IEEE World Haptics Conference
2011-06 | Conference paper
DOI:

10.1109/whc.2011.5945530

Contributors: Stephen Sinclair; Marcelo M. Wanderley; Vincent Hayward; Gary Scavone
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Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance

Cognition
2011-02 | Journal article
DOI:

10.1016/j.cognition.2010.11.010

Contributors: Bradley W. Vines; Carol L. Krumhansl; Marcelo M. Wanderley; Ioana M. Dalca; Daniel J. Levitin
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Detecting overblown flute fingerings from the residual noise spectrum

J. Acoust. Soc. Am.
2010 | Journal article
DOI:

10.1121/1.3257205

Contributors: Vincent Verfaille; Philippe Depalle; Marcelo M. Wanderley
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Methods for Effective Sonification of Clarinetists’ Ancillary Gestures

Gesture in Embodied Communication and Human-Computer Interaction
2010 | Other
DOI:

10.1007/978-3-642-12553-9_15

Contributors: Florian Grond; Thomas Hermann; Vincent Verfaille; Marcelo M. Wanderley
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Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures

Acta Acustica united with Acustica
2010-07-01 | Journal article
DOI:

10.3813/aaa.918321

Contributors: Alexandre Bouënard; Marcelo M. M. Wanderley; Sylvie Gibet
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Gesture Control of Sound Spatialization for Live Musical Performance

Gesture-Based Human-Computer Interaction and Simulation
2009 | Other
DOI:

10.1007/978-3-540-92865-2_25

Contributors: Mark T. Marshall; Joseph Malloch; Marcelo M. Wanderley
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Gesture-Based Human-Computer Interaction and Simulation

Lecture Notes in Computer Science
2009 | Book
DOI:

10.1007/978-3-540-92865-2

Contributors: Miguel Sales Dias; Sylvie Gibet; Marcelo M. Wanderley; Rafael Bastos
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Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis

Gesture-Based Human-Computer Interaction and Simulation
2009 | Other
DOI:

10.1007/978-3-540-92865-2_5

Contributors: Barbara Mazzarino; Manuel Peinado; Ronan Boulic; Gualtiero Volpe; Marcelo M. Wanderley
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String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study

Gesture-Based Human-Computer Interaction and Simulation
2009 | Other
DOI:

10.1007/978-3-540-92865-2_24

Contributors: Nicolas Rasamimanana; Delphine Bernardin; Marcelo Wanderley; Frédéric Bevilacqua
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Music and Motion—How Music-Related Ancillary Body Movements Contribute to the Experience of Music

Music Perception: An Interdisciplinary Journal
2009-04 | Journal article
DOI:

10.1525/mp.2009.26.4.335

Contributors: Manfred Nusseck; Marcelo M. Wanderley
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Peer review (1 review for 1 publication/grant)

Review activity for Journal on Multimodal User Interfaces. (1)