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Scopus Author ID: 35279403900

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Employment (6)

Royal College of Music: London, GB

2022-09-01 to present | Head of Research (Research)
Employment
Source: Self-asserted source
Robert Adlington

University of Huddersfield: Huddersfield, Kirklees, GB

2017-01-01 to 2022-08-31 | Queen's Anniversary Prize Chair in Contemporary Music (Music and Music Technology)
Employment
Source: Self-asserted source
Robert Adlington

University of Nottingham: Nottingham, Nottinghamshire, GB

2014-09-01 to 2016-12-31 | Professor of Music (Music)
Employment
Source: Self-asserted source
Robert Adlington

University of Nottingham: Nottingham, Nottinghamshire, GB

2005-09-01 to 2014-08-31 | Associate Professor in Music (Music)
Employment
Source: Self-asserted source
Robert Adlington

University of Nottingham: Nottingham, Nottinghamshire, GB

1999-09-01 to 2005-08-31 | Lecturer in Music (Music)
Employment
Source: Self-asserted source
Robert Adlington

University of Sussex: Brighton, Brighton and Hove, GB

1996-10-01 to 1999-08-31 | Lecturer in Music (Music)
Employment
Source: Self-asserted source
Robert Adlington

Education and qualifications (3)

University of Sussex: Brighton, Brighton and Hove, GB

1993-10-01 to 1996-09-30 | DPhil (Music)
Education
Source: Self-asserted source
Robert Adlington

University of Sussex: Brighton, Brighton and Hove, GB

1992-10-01 to 1993-09-30 | MA (Music)
Education
Source: Self-asserted source
Robert Adlington

University of Oxford: Oxford, Oxfordshire, GB

1989-09-01 to 1992-06-30 | BA (Music)
Education
Source: Self-asserted source
Robert Adlington

Funding (4)

Notes of Dissent: Avant-garde Music in 1960s Amsterdam

Source: Self-asserted source
Robert Adlington via DimensionsWizard

Music and politics in Amsterdam, 1969/1970

2007-02-01 to 2007-05-30 | Grant
Arts and Humanities Research Council (n/a, GB)
URL: https://grants.uberresearch.com/501100000267/D745B95A-D7F6-4E01-9416-3D51DD1587FB/Music-and-politics-in-Amsterdam-1969-1970
GRANT_NUMBER: grant.AH/E001149/1
Source: Self-asserted source
Robert Adlington via DimensionsWizard

Small Research Grant

2005 to 2005 | Grant
British Academy (London, GB)
Source: Self-asserted source
Robert Adlington

Louis Andriessen: De Staat

2002 to 2002 | Grant
Arts and Humanities Research Board (London, GB)
Source: Self-asserted source
Robert Adlington

Works (31)

Politics and the Popular in British Music Theatre of the Vietnam Era

Journal of the Royal Musical Association
2021-03 | Journal article
DOI: 10.1080/02690403.2018.1507121
Part of ISSN: 0269-0403
Contributors: Robert Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

Finding Democracy in Music

2020-11-02 | Other
DOI: 10.4324/9780367486938
Contributors: Robert Adlington; Esteban Buch
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

Music Together, Music Apart: On Democratic Communities

Journal of the Royal Musical Association
2020-01-01 | Journal article
DOI: 10.1080/02690403.2019.1575595
Part of ISSN: 0269-0403
Contributors: Robert Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

New Music Theatre in Europe

2019-04-02 | Other
DOI: 10.4324/9780429451669
Contributors: Robert Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

Modernism

The Routledge Research Companion to Modernism in Music
2018-10 | Other
DOI: 10.4324/9781315613291-10
Contributors: Robert Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

Louis Andriessen: De Staat

2017-10-03 | Book
DOI: 10.4324/9781351218863
Contributors: Robert Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

The crises of sense: listening to Berio's 'Un re in ascolto'

Le théâtre musical de Luciano Berio
2016 | Book chapter
Source: Self-asserted source
Robert Adlington

Whose voices? The fate of Luigi Nono's Voci destroying muros

Journal of the American Musicological Society
2016 | Journal article
DOI: 10.1525/jams.2016.69.1.179
EID:

2-s2.0-84989810022
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Communisms, Communist Musics

Red Strains: Music and Communism Outside the Communist Bloc
2014 | Book
DOI: 10.5871/bacad/9780197265390.003.0001
EID:

2-s2.0-84925434905
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Editorial: Twentieth-Century music - Ten years on

Twentieth-Century Music
2014 | Journal article
DOI: 10.1017/S1478572213000200
EID:

2-s2.0-84900872392
Contributors: Adlington, R.; Johnson, J.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Red Strains: Music and Communism Outside the Communist Bloc

Red Strains: Music and Communism Outside the Communist Bloc
2014 | Book
DOI: 10.5871/bacad/9780197265390.001.0001
EID:

2-s2.0-84925422965
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Composing Dissent: Avant-garde Music in 1960s Amsterdam

Oxford University Press
2013 | Book
Source: Self-asserted source
Robert Adlington

Expressive revolutions: ‘1968’ and music in the Netherlands

Music and Protest in 1968
2011 | Book
DOI: 10.1017/CBO9781139051682.002
EID:

2-s2.0-84923450414
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Forms of Opposition at the "Politiek-Demonstratief Experimenteel" Concert

Sound Commitments: Avant-Garde Music and the Sixties
2009 | Book
DOI: 10.1093/acprof:oso/9780195336641.003.0004
EID:

2-s2.0-84920753534
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Introduction

Sound Commitments: Avant-Garde Music and the Sixties
2009 | Book
DOI: 10.1093/acprof:oso/9780195336641.003.0001
EID:

2-s2.0-84920753286
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Sound Commitments: Avant-Garde Music and the Sixties

Sound Commitments: Avant-Garde Music and the Sixties
2009 | Book
DOI: 10.1093/acprof:oso/9780195336641.001.0001
EID:

2-s2.0-77951032807
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Tuning in and dropping out: The disturbance of the Dutch premiere of Stockhausen's Stimmung

Music and Letters
2009 | Journal article
DOI: 10.1093/ml/gcn084
EID:

2-s2.0-73649141010
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Music of the Twentieth Century: A Study of its Elements and Structure. By Ton de Leeuw.

Music and Letters
2008-08-01 | Journal article
DOI: 10.1093/ml/gcm080
Part of ISSN: 0027-4224
Contributors: R. Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

'A sort of guerilla': Che at the opera

Cambridge Opera Journal
2007 | Journal article
DOI: 10.1017/S0954586707002327
EID:

2-s2.0-43249132925
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Organizing labor: Composers, performers, and "the renewal of musical practice" in the Netherlands, 1969-72

Musical Quarterly
2007 | Journal article
DOI: 10.1093/musqtl/gdn015
EID:

2-s2.0-62849115359
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Louis Andriessen, Hanns Eisler, and the Lehrstück

Journal of Musicology
2005 | Journal article
DOI: 10.1525/jm.2004.21.3.381
EID:

2-s2.0-79956799093
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Music theatre since the 1960s

The Cambridge Companion to Twentieth-Century Opera
2005 | Book
DOI: 10.1017/CCOL9780521780094.015
EID:

2-s2.0-84932122444
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Twentieth-Century Music: Editorial

Twentieth-Century Music
2005 | Journal article
DOI: 10.1017/S1478572205009011
EID:

2-s2.0-79954603825
Contributors: Adlington, R.; Fuller, S.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Moving beyond motion: Metaphors for changing sound

Journal of the Royal Musical Association
2003 | Journal article
DOI: 10.1093/jrma/128.2.297
EID:

2-s2.0-63649158206
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Review: Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater

Music and Letters
2002-05 | Journal article
DOI: 10.1093/ml/83.2.319
Part of ISSN: 1477-4631
Contributors: Robert Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

Review of books. Singing Archaeology: Philip Glass's 'Akhnaten'. J Richardson\Four Musical Minimalists: La Monte Young, Terry Rile, Steve Reich, Philip Glass. K Potter\Jonathan Harvey. A Whittall

Music and Letters
2001-08-01 | Journal article
DOI: 10.1093/ml/82.3.487
Part of ISSN: 0027-4224
Contributors: R Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

The Music of Rebecca Saunders: Into the Sensuous World

The Musical Times
1999 | Journal article
DOI: 10.2307/1004495
Part of ISSN: 0027-4666
Contributors: Robert Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

Shaping Time: Music, the Brain, and Performance

Music Analysis
1997-03 | Journal article
DOI: 10.2307/854119
Part of ISSN: 0262-5245
Contributors: Robert Adlington; David Epstein
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

Harrison Birtwistle's recent music

Tempo
1996 | Journal article
EID:

2-s2.0-60949975136
Contributors: Adlington, R.
Source: Self-asserted source
Robert Adlington via Scopus - Elsevier

Arnold Whittall: A Bibliography

Music Analysis
1995-07 | Journal article
DOI: 10.2307/854011
Part of ISSN: 0262-5245
Contributors: Robert Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search

Brian Ferneyhough

The Musical Times
1994-07 | Journal article
DOI: 10.2307/1003256
Part of ISSN: 0027-4666
Contributors: Robert Adlington
Source: Self-asserted source
Robert Adlington via Crossref Metadata Search
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