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Employment (3)

Queen's University: Kingston, ON, CA

2015-07-01 to present | Associate Professor (Art History and Art Conservation)
Employment
Source: Self-asserted source
Allison Morehead

Queen's University: Kingston, ON, CA

2008-08-01 to 2015-06-30 | Assistant Professor (Art History and Art Conservation)
Employment
Source: Self-asserted source
Allison Morehead

University of Cambridge: Cambridge, Cambridgeshire, GB

2006-10-01 to 2008-07-31 | Junior Research Fellow (King's College)
Employment
Source: Self-asserted source
Allison Morehead

Education and qualifications (4)

The University of Chicago: Chicago, IL, US

2001-01-01 to 2007-06-13 | PhD (Art History)
Education
Source: Self-asserted source
Allison Morehead

University of Geneva: Geneva, CH

1999-10-01 to 2000-12-04 | Diplôme d'études supérieures (D.É.S.)
Education
Source: Self-asserted source
Allison Morehead

University of Cambridge: Cambridge, Cambridgeshire, GB

1997-10-01 to 1998-07-01 | Certificate of Post-Graduate Study (History of Art)
Education
Source: Self-asserted source
Allison Morehead

Queen's University: Kingston, ON, CA

1993-09-01 to 1997-05-31 | BAH (Art History/History)
Education
Source: Self-asserted source
Allison Morehead

Professional activities (5)

University of Toronto: Toronto, Ontario, CA

2023 | Helen E. Graham Visiting Fellowship (History)
Distinction
Source: Self-asserted source
Allison Morehead

The Center for Advanced Study in the Visual Arts, National Gallery of Art: Washington, DC, US

2022 | Ailsa Mellon Bruce Visiting Senior Fellowship
Distinction
Source: Self-asserted source
Allison Morehead

Queen's University: Kingston, Ontario, CA

2016-07-01 to 2019-06-30 | Graduate Coordinator for Art History (Art History and Art Conservation)
Service
Source: Self-asserted source
Allison Morehead

Massey College: Toronto, ON, CA

2016 | Visiting Scholar
Distinction
Source: Self-asserted source
Allison Morehead

Brocher Foundation: Geneva, CH

2016 | Visiting Researcher
Distinction
Source: Self-asserted source
Allison Morehead

Funding (7)

Confabulations: Art Practice, Art History, Critical Medical Humanities

2021-04-01 to 2022-03-31 | Grant
Social Sciences and Humanities Research Council (Ottawa, CA)
URL: https://app.dimensions.ai/details/grant/grant.13014332
GRANT_NUMBER: 209144
Source: Self-asserted source
Allison Morehead via DimensionsWizard

Edvard Munch, modernism, and medicine

2021-04-01 to 2022-03-31 | Grant
Social Sciences and Humanities Research Council (Ottawa, CA)
URL: https://app.dimensions.ai/details/grant/grant.13014333
GRANT_NUMBER: 200782
Source: Self-asserted source
Allison Morehead via DimensionsWizard

Doing Medical Humanities with Art, Non-Art, Objects, and Things

2018-04-01 to 2019-03-31 | Grant
Social Sciences and Humanities Research Council (Ottawa, CA)
URL: https://app.dimensions.ai/details/grant/grant.8666376
GRANT_NUMBER: 173362
Source: Self-asserted source
Allison Morehead via DimensionsWizard

Edvard Munch, modernism, and medicine

2016-04-01 to 2020-03-31 | Grant
Social Sciences and Humanities Research Council (Ottawa, CA)
URL: https://app.dimensions.ai/details/grant/grant.7061545
GRANT_NUMBER: 153447
Source: Self-asserted source
Allison Morehead via DimensionsWizard

Gambling and the Modern Imaginary

2015-04-01 to 2017-03-31 | Grant
Social Sciences and Humanities Research Council (Ottawa, CA)
URL: https://app.dimensions.ai/details/grant/grant.5507107
GRANT_NUMBER: 144589
Source: Self-asserted source
Allison Morehead via DimensionsWizard

Nature's experiments: pathology and the search for symbolist form

2010-04-01 to 2013-03-31 | Grant
Social Sciences and Humanities Research Council (Ottawa, CA)
URL: https://app.dimensions.ai/details/grant/grant.3910262
GRANT_NUMBER: 84039
Source: Self-asserted source
Allison Morehead via DimensionsWizard

Evolution and "biotypology" in art produced between the two world wars

2000-04-01 to 2005-03-31 | Grant
Social Sciences and Humanities Research Council (Ottawa, CA)
URL: https://app.dimensions.ai/details/grant/grant.3906202
GRANT_NUMBER: 12591
Source: Self-asserted source
Allison Morehead via DimensionsWizard

Works (42)

Edvard Munch and the Medicalization of Modern Life: Towards a Curatorial Medical Humanities

Journal of Medical Humanities
2024-09-04 | Journal article
DOI: 10.1007/s10912-024-09893-7
Contributors: Allison Morehead
Source: check_circle
Crossref

A Natural History of August Strindberg’s Surrealism

The Savage Eye
2022 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Sick Girls, Sick Women, Sick Prints

British Museum Research Publications
2022 | Journal article
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Experimenting with the Art of Observation

Journal of Museum Education
2022-04-03 | Journal article
DOI: 10.1080/10598650.2022.2043674
Contributors: Heather Parker; Shannon Brown; Allison Morehead; Madeleine Dempster; Natalie Wagner; Rachel Curtis; Christine Law
Source: check_circle
Crossref

The Radical Healing Possibilities of Witchcare

The Polyphony
2022-03-01 | Magazine article
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Confabulations: Art Practice, Art History, Critical Medical Humanities

The Polyphony
2022-01-21 | Magazine article
Contributors: Allison Morehead; Fiona Johnstone; Imogen Wiltshire
Source: Self-asserted source
Allison Morehead

Maurice Denis, La Dame au jardin clos ou Nu aux bouquets de violettes, 1894

Maurice Denis: Amour
2021 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

The Insane, Inheritance, Hospital Ward, Self-Portrait Under the Mask of a Woman, and Daniel Jacobson

Edvard Munch Infinite
2021 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Nature’s Experiments and the Search for Symbolist Form

2021-08 | Book
DOI: 10.1515/9780271079400
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead via Crossref Metadata Search

Andrei Pop, A Forest of Symbols: Art, Science, and Truth in the Long Nineteenth Century

H-France
2020 | Book review
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Why ‘The Scream’ Has Gone Viral Again

The Conversation
2020-05-21 | Magazine article
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Modernism and the Green Baize

nonsite.org
2019 | Journal article
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

In Living (and Dead) Colour: Mechthild Fend, Fleshing Out Surfaces: Skin in French Art and Medicine, 1650–1850

Art History
2019-04 | Book review
DOI: 10.1111/1467-8365.12432
Part of ISSN: 0141-6790
Part of ISSN: 1467-8365
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Hands, Dissection, and Embodied Seeing: Strindberg and Munch

August Strindberg and Visual Culture: The Emergence of Optical Modernity in Image, Text and Theatre
2018 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Representation in the Age of Mediumistic Reproduction, from Symbolism to the Bauhaus

The Symbolist Roots of Modernist Art
2018 | Book chapter
Contributors: Allison Morehead; Elizabeth Otto
Source: Self-asserted source
Allison Morehead

W. McAllister Johnson, The Rise and Fall of the Fine Art Print in Eighteenth-Century France

University of Toronto Quarterly
2018 | Book review
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Munch: A Modern Velázquez?

2017 | Journal article
URI:

https://doi.org/10.18261/issn.1504-3029-2017-01-02-02
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

The Untimely Face of Munch

Edvard Munch: Between the Clock and the Bed
2017 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Des mains d’hommes célèbres et d’autres primates: Strindberg et Gauguin

August Strindberg: De la mer au cosmos
2016 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Le Chardon solitaire, Mer tempêtueuse. Bouée-balai, Image double, Falaise (III), dit aussi Falaise au bord de l’eau

August Strindberg: De la mer au cosmos
2016 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Defending Deformation: Maurice Denis's Positivist Modernism

Art History
2015-02 | Journal article
DOI: 10.1111/1467-8365.12146
Part of ISSN: 0141-6790
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead via Crossref Metadata Search

Aliéné

LaM Oeuvres
2014 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

André Dombrowski, Cézanne, Murder, and Modern Life

Journal of Modern History
2014 | Book review
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Lithographic and biological error in Edvard Munch's "Women in the hospital"

Print Quarterly
2014 | Journal article
Part of ISSN: 02658305
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Understanding and translating : Gauguin and Strindberg in 1895

Nineteenth-Century Art Worldwide
2014 | Journal article
Part of ISSN: 15431002
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Allison Morehead. Review of "The Nabis and Intimate Modernism: Painting and the Decorative at the Fin-de-Siècle" by Katherine M. Kuenzli.

caa.reviews
2012-08-02 | Journal article
DOI: 10.3202/caa.reviews.2012.83
Part of ISSN: 1543-950X
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead via Crossref Metadata Search

The "Musée de la folie" : collecting and exhibiting "chez les fous"

Journal of the History of Collections
2011 | Journal article
Part of ISSN: 09546650
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Rupert Bunny, Artist in Paris

Print Quarterly
2010 | Review
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Albert Boime, Revelation of Modernism

Journal of Modern History
2009 | Book review
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Symbolism, Mediumship, and the "Study of the Soul that has Constituted Itself as a Positivist Science"

RACAR: Review d'art canadienne / Canadian Art Review
2009 | Journal article
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Are There Bacteria in the Rooms of Monte Carlo?’: The Roulette Paintings, 1891–93

Munch Becoming “Munch”: Artistic Strategies, 1880–1892
2008 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Interlude: Bracquemond and Buhot

The “Writing” of Modern Life: The Etching Revival in France, Britain, and the U.S., 1850–1940
2008 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

A Certain Tour d’esprit: Édouard Vuillard’s The Lerolle Salon

Looking and Listening in Nineteenth-Century France
2007 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Willumsen

Print Quarterly
2007 | Review
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Experimental Art Redux

Neutrinos They are Very Small: Works by Gordon Hicks, Sally McKay, and Rebecca Diederichs
2006 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Cléopâtre de la mélancolie à l’hypnose

Cléopâtre dans le miroir de l’art occidental
2004 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Gérard de Lairesse, La Mort de Cléopâtre, Gavin Hamilton, Cléopâtre, Anton Raphael Mengs, Auguste et Cléopâtre, Gustave Moreau, Cléopâtre essayant des poisons sur les esclaves, Sir Lawrence Alma-Tadema, Cléopâtre au temple d’Isis, à Philae, John William Waterhouse, Cléopâtre, Stanislas Lami, Ida Rubenstein en Cléopâtre

Cléopâtre dans le miroir de l’art occidental
2004 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

"The Theater of the Infinite": Performing Identity in Weimar Germany

Confronting Identities in German Art: Myths, Reactions, Reflections
2003 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Felix Nussbaum, Portrait of a Young Man

Confronting Identities in German Art: Myths, Reactions, Reflections
2003 | Book chapter
Contributors: Allison Morehead; Celka Straughn
Source: Self-asserted source
Allison Morehead

Heinrich Campendonk, The Beggars (After Brueghel), Robert Michel, MEZ (Central European Time No. 1), Max Beckmann, Self-Portrait with Cigarette, Paul Klee, Genii, and Hans (Jean) Arp, AA

Confronting Identities in German Art: Myths, Reactions, Reflections
2003 | Book chapter
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead

Resistance and Exile: Artistic Strategies under National Socialism

Confronting Identities in German Art: Myths, Reactions, Reflections
2003 | Book chapter
Contributors: Allison Morehead; Reinhold Heller; Naomi Hume; Celka Straughn; Sabine Wieber
Source: Self-asserted source
Allison Morehead

Le legs et l’exposition des tableaux d’Élise Cathérine Müller, dite Hélène Smith, au Musée d’art et d’histoire de Genève, 1929–1937

Genava
2001 | Journal article
Contributors: Allison Morehead
Source: Self-asserted source
Allison Morehead
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