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Employment (1)

Université d'Artois: Arras, FR

2012-09-01 to present | Maître de Conférences/Associate Professor (Languages)
Employment
Source: Self-asserted source
Julie Assouly

Education and qualifications (2)

Université Paul-Valéry Montpellier: Montpellier, FR

2023-03-17 to present | Habilitation à Diriger des Recherches (SHS)
Qualification
Source: Self-asserted source
Julie Assouly

Université Toulouse Jean Jaurès: Toulouse, Occitanie, FR

2010-09-24 to present | PhD (Anglais/English)
Education
Source: Self-asserted source
Julie Assouly

Funding (1)

The Philadelphia Illustrator-Reporters and the Representation of the Working Class: From the Charcoal Club to the Ashcan School (1890s-1920)

2025-01 to 2025-05 | Award
Fulbright France (Paris, US)
Source: Self-asserted source
Julie Assouly

Works (44)

Wes Anderson, cinéaste transatlantique

2024-05-16 | Book
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly

Féminin/ Masculin. Réflexions sur le genre dans le cinéma et les séries anglophones

2023 | Book
Contributors: Marianne Kac-Vergne; Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

From the Margins to the Mainstream: Women in Film and Television

2022 | Book
Contributors: Marianne Kac-Vergne; Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Introduction to 'From the Margins to the Mainstream:Women in Film and Television' (2022)

2022 | Book chapter
Contributors: Marianne Kac-Vergne; Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

From the Margins to the Mainstream : Women in Film and Television

2021 | Book
Contributors: Julie Assouly; Marianne Kac-Vergne
Source: Self-asserted source
Julie Assouly via HAL

Italian-American Culture on Screen

2021 | Book
Contributors: Julie Assouly; Kevin Dwyer
Source: Self-asserted source
Julie Assouly via HAL

Wes Anderson, cinéaste transatlantique

2021 | Book
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Carter Burwell : his contribution to “the Coen touch”

Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world
2021-06 | Journal article
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

The ambivalent figure of the barber in The Man Who Wasn’t There (Coen, 2001) : Redefining an Americana icon

Film Journal
2021-03 | Journal article
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Kim Wilkins, American Eccentric Cinema, New York: Bloomsbury, 2019, 224 pages

InMedia : the French Journal of Media and Media Representations in the English-Speaking World
2020-12-15 | Journal article
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Table ronde sur le cinéma d’horreur des années 60

2020-11 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

“Gambling and women don’t mix”: Female Gamblers and the American Dream in Film

Angles: French Perspectives on the Anglophone World
2020-11-01 | Journal article
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

“The survival of the fittest”: On class struggle in Howards End (Forster, 1910 – Ivory, 1992)

2019 | Book chapter
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Spiraling down the “smelting pot”: Economic Determinism and Social Darwinism in The Deer Hunter (1978) and Out of the Furnace (2013)

2019-09-04 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Hollywood's Take on the Working Class Hero: The Trump Era

2019-03-05 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Wes Anderson, Director and Advertiser (or, The Wes Anderson-ification of Advertising)

2018-09-06 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

The Wandering Character in the Coen Brothers’ Films: When the Southern Gothic Meets the Western

Revue LISA / LISA e-journal
2018-07-11 | Journal article
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Spielberg meets Rockwell: Nostalgia and the Celebration of America’s Heroic Past

2018-02-15 | Book chapter
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Theatre performance in Wes anderson’s films : meaningful games or mere entertainment?

2017-09-07 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

The New Sincerity trend : pursuing a different kind of happiness

2017-06-06 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

La Destinée Manifeste transcende les frontières de l’Amérique et des genres, du western au film de guerre

Mélanges de science religieuse
2016 | Journal article
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

De Fargo (Coen 1916) à Fargo Saison 1 et 2 (Hawley, 2014-15)

2016-09-08 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Quand la comédie de braquage traverse l’Atlantique : The Ladykillers (Mackendrick 1955/ Coen 2004)

2015-11 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Rêves et cauchemars de l’American Dream: les frères Coen et la rencontre des arts

Ligeia, dossiers sur l'art
2014 | Journal article
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Fargo (1996/2014): Regeneration through violence

2014-12-01 | Book chapter
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Les Italo-américains dans le cinéma contemporain : sortir des clichés

2014-11-13 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Carter Burwell : his contribution to the Coen touch

2014-09-18 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Le western hybride : le cas particulier de Monte Hellman

2014-05 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

De City of Nets à Barton Fink : accident de parcours

2014-05-16 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Les frères Coen, cinéastes indépendants : l'importance d'une indépendance scénaristique

Revue Française d'Etudes Américaines
2013 | Journal article
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Le cinéma de Wes Anderson : trahison familiale et pacte d’amitié

2013-09-04 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Les titres, leurs (non) traductions et ce qu'ils trahissent : l'exemple des frères Coen

2013-05 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

The Wandering Character in the Coen Brothers’ Films: from Southern Gothic to Western

2013-04-19 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Le Cinéma intimiste des frères Coen et le rejet des relations intimes

2012-09-05 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

L’Amérique des frères Coen

2012-08-30 | Book
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

La frontière aux deux visages : écriture et réécriture du western dans All the Pretty Horses (2000) et No Country For Old Men (2007) 

2012-04-01 | Book chapter
Contributors: Julie Assouly; Yvonne-Marie Rogez
Source: Self-asserted source
Julie Assouly via HAL

L’Americana des frères Coen : crise d’un mythe visuel

Éclipses - Revue de Cinéma
2011-12 | Journal article
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

The ambivalent figure of the barber in the Coen Brothers’ The Man Who Wasn’t There (2001): reinterpreting an American cultural icon

2011-09-08 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Raising Arizona (1987) des frères Coen : les carcans de l'American Way of Life

2011-06 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

"You know, for kids !" Childish characters in the Coen Brothers’ films

2011-03 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Le personnage marginal dans les films des frères Coen : les limites de l’intégration

2009-11 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

Les accents de l’Amérique dans quelques films des frères Coen

2009-09-17 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

No Country For Old Men (2007): the Shadow of the Spaghetti Western

2009-06 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL

L’espace acteur du récit filmique dans deux films des frères Coen: Fargo et No Country for Old Men

2009-06-04 | Conference paper
Contributors: Julie Assouly
Source: Self-asserted source
Julie Assouly via HAL